It doesn't stop there. Italee is a local producer as well.
She has just finished up the freshman project on her own label, Nipples Productions.
Yes, you read correctly...NIPPLES Productions.
Why that name? "It represents womanhood and wicked tracks coming from a woman's perspective...
everybody's has been in touch with a nipple at some point in their life, even if it's just their mother's.
It's a good name. Woman running the show. A respectable thing."
I visited her in the studio while she was recording artists like Beenie Man, Elephant Man, Sizzla Kolongi and Hawkeye. She explained to me that as a producer and an artist, she plays two different roles. One she leadsand the other, she's being lead. Seeing her work BEHIND the mixing board shone a totally different light on this up and coming star. You're likely to catch her on an everyday basis in a tight little number and heels, with matching shades and head wrap...but not in the studio.

I walked in at one in the morning to find Italee sprawled out on
the fat, black leather couch of Main Street Studio in Kingston,
decked out in full blue and grey Sean John, barking orders at
Prezzy, the engineer, and getting highly agitated by one of the
young artists in the booth who has taken up 4 hours of her
precious studio time on one track. She explained to me that
she's very serious about her productions.
"Every tune on my riddim sounds like a number
one. The big artists, the young artists, all number
one. They're all my favourite, or I wouldn't produce
them. I would refuse them. I take my work very
seriously. [leaning over] But yuh dun know, Beenie
and Sizzla tune dem tickle me still" she whispers
with a big grin.