Red
Stripe Reggae Sumfest 2002 - Fyah's View
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| Let's
face it, I never was a huge Sumfest fan, I come from the good old
days of Sunsplash, where it was a family affair. You went with your
parents and their friends, and their friends brought their kids
and we'd made a week out of it. Armed with our blankets, water igloos
full of ice and a selection of beer, rum & softdrinks, we'd find
ourselves trekking over the sea of reggae beds towards our 'usual
spot'. That spot would hold great significance for the coming weekly
events, as that's where we would be found for the night, at any
given time for that matter during that week, it's a sure thing that
you would find one of us there. |
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Alot
of the artists I witnessed in concert during those years were
people I became familiar with by name as I matured musically
and otherwise. At that time I only knew the sound of their
voices, and I knew what moved me to dance and what didn't,
that was enough. I was left with romantic memories of Sunsplash,
and a slight grudge towards the threatening new 'Reggae Festival'
touted to be the (new) "greatest reggae show on earth", Sumfest.
For Sunsplash losing it's prize location in Montego Bay was
one thing....but having a brand new concert staged in Montego
Bay with the same theme and concept ( multiple concerts over
a period of days), not too long after Sunsplash's departure,
rubbed many die hard Sunsplash fans the wrong way. It did'nt
help that the press had a field day with the various lawsuits
that emerged from the whole move etc...leading to an even
greater split in the popularity contest. That first year was
very difficult for both promoters, what with Sunsplash unsuccessfully
trying to find a new home and Sumfest losing those valuable
patrons still loyal to Sumsplash. It was hard, I myself boycotted
the Sumfest show that first year, and I remember it being
a huge topic of discussion...."You going to Sumfest or Sunsplash"
And it went even further, where your answer could affect what
people defined you as...Sumfest: New School.......Sunsplash:
Old School..... |
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| Alot
of time has passed since then, many changes, and ultimately, Sunsplash
no longer exists. Sumfest managed (indirectly) to take it's place
and audience, soon becoming, true to it's word, "the greatest
reggae show on earth." Fast forward to Summer 2002 the now world
famous concert downsized once again, from four concert nights
to three, merging Singers and Conscious night into one. Sources
report this a result of dwindling ticket sales experienced by
the Sumfest promoters over the years.
Whaddat?com
was brought on board as a media sponsor, making us proud to be
a part of this highly anticipated concert. Our role was, as Sumfest
put it, "to make the link between Sumfest and the young Hip Hop
Generation X'ers". You see, in their efforts to raise ticket sales
they booked the hottest Rapper around, Ja Rule, and the beautiful
R&B singer Ashanti. I wondered how a Rapper could receive top
billing on a show that boasted being the Greatest REGGAE show
on earth. In the past Sumfest has had International acts from
all parts of the world who have achieved great success world wide
however I cannot remember them ever receiving as much publicity,
so much so, that they actually managed to over shadow the local
artists billed to perform. Those local artist for whom Sumfest
was actually created for in any case, it being a Reggae Show after
all! In any case we were hired to do a job, we were present from
the launch, to the promotional functions, to the Pre-Sumfest parties
etc... Attending such events as the sound clash on the Tuesday
night featuring Mighty Crown, Black Chiney, Jah Creation and Pisces,
as the winning sounds. The turnout was good, I honestly was not
expecting as many people as I saw, mostly locals from Montego
bay and alot of tourists. |
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| Baby
Cham & Foxy Brown |
| One
question I was forced to ask myself over and over in my head was
what exactly is profanity? You see, Sumfest banned several acts
last year as a result of using curse words during performances.
But they invited these go go dancers from Guns & Roses, to show
us every possible dancehall move imaginable, upside down, head
top, legs spread wide in their puni printers and batty riders
cut so high they allowed us FULL view of what was going on inside
them. I thought it was the most hypocritical act by the Sumfest
promoters,and I was not alone as you heard funny but true remarks
from the DJ's such as..."dem ban mi from saying the P word, so
all ah di man dem dat love vagina put unnu hand inna di air!!!!!"
To the crowd's delite who all thought it was funny and quite ridiculous
actually, since at the same time they continued playing tunes
full of 'ban-worthy' lyrics, not to mention that you had the visuals
provided by these hardcore 'dancers' upstairs leaving nothing
to the imagination, but I guess that's not profanity. I would
really like to know HOW they came up with their definition of
the term.
Further more
many were confused with the profanity rules, as sumfest banned
several acts last year, many of whom were served with summons
to appear in court to answer to charges of using indecent language
on stage. Ja Rule was one such artist, but managed to escape the
summons by leaving Jamaica in time before any authorites could
get to him. |
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| "The
Fireman"Capleton |
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| "Energy
God" Elephant Man |
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| Bounty
Killer |
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I think the whole thing is a waste of precious time that could
be spent fighting the REAL crimes in Jamaica, but anyhow, I am
just trying to make a point. That is that, though Ja Rule had
been accused of using profanity onstage during his perfoemance,
he was invited by the very same promoters who upheld the law in
the first place. Yet some of our own local artists were not given
the same opportunity.
Another question
sumfest left me with was, why hasn't Sumfest put as much energy
and focus into Dancehall Night as they do for International Night?
Is it because Dancehall night is CLEARLY they most popular of
all the nights, so they don't have to promote it as much? I think
anyone would have thought that International Night would be the
biggest night, but in fact, it was Dancehall night that had the
greatest turnout. This could have been a result of it's tickets
being cheaper than International Night, but I think it went beyond
that, as I walked out into the crowd on Dancehall night I could
not believe the amount of Tourists I saw and talked to. They were
from all over, Japan, America, Europe and as far as South Africa
and Australia. I think it's a clear indication that people still
come here to hear authentic Jamaican music, not International
Acts they can hear on the radio, or see on the TV. Alot of our
local artists have never been heard of outside of Jamaica, this
is a night to show the world what we have to offer. |
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Does
Sumfest not see the importance of such a night? I would
think that since it is proven to be the most popular night,
that your whole event would be centered around it?! No?!
I had some friends visiting from abroad who said that of
all the nights, dancehall was there favorite as it gave
them someting they had never experiened before.
They
were left confused after Ninja man, impressed by Vegas,
charmed by Baby Sham (who they thought did not need Foxy
to enhance his performanc), and completely mesmerized by
the 'Energy God' himself Elephant Man!!! They left before
Killa's performance to avoid the traffic. However, the fact
that they walked away with that particular night in their
memory meant something. And it meant even more to me as
I felt deep pride wathing our DJ's working it up there,
giving us very high quality performances, worthy for International
audiences.
I think
all too often we Jamaican's look out into the world for
answers to our shortcomings. Instead of being the individuals
we used to be so proud of being, we are slowly losing the
things that make the world stop and pay attention. For such
a small island we have impacted the world in Sports, the
Arts and Music, why then are we trading in our individuality
for the mainstream, for what is already out there? It's
evident the influence rap music is having on our own dancehall,
and while evolving is a good thing we cannot sacrifice our
own culture and style for that. The only way we will know
it is important is if people keep reminding us that it is.
As I was reminded by my friends after Sumfest, giving me
a healthy dose of pride which I am now spreading to you
all out there.
One
Love.. Fyah  |
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